Dobin Tokoname
Uwade

Jinshu

ID
4261
Original Japanese dobin teapot by Master Jinshu from Tokoname. Integrated, hand-pierced ceramic strainer, natural clay, handmade. Fine colour patterns from the yohen firing technique. 480ml
Item Dobin teapot
Artist Jinshu
Kiln Tokoname Yaki (常滑焼)
Origin Tokoname, Aichi Prefecture, Japan
Volume 480ml
Dimensions Ø10.8 x H9cm
Strainer Ceramic sieve pierced by hand
Packaging Box
Tea varieties Recommended for bancha, genmaicha, hojicha
Emballage Boîte en carton


Each item is handmade and unique, therefore colour and size may vary slightly.

389,90 €

Livraison : up to 5 business days

Prix TTC, hors frais d’expédition

ID
4261
Soyez notifié(e) de son retour en stock :

Prix TTC, hors frais d’expédition

ID
4261
Alerte planifiée
Dobin Tokoname Jinshu Uwade

Jinshu

manufacturer

Fondée en 1913 à Yokkaichi – berceau du Banko-yaki – en tant que fabricant d’argile, la poterie Nankei s’est lancée dans la production de ses propres théières et vaisselle en 1972. Cette entreprise familiale gère en interne toutes les étapes de la production, du mélange de ses propres argiles à la conception et à la fabrication de chaque pièce. Dirigée par une équipe dévouée de maîtres artisans, Nankei Pottery allie sa connaissance approfondie des matières premières à une esthétique fonctionnelle et contemporaine pour un plaisir du thé en toute simplicité.

Dobin Tokoname Jinshu Uwade

Dobin 土瓶

Literally "clay jug", the Dobin is a large teapot with a top handle, often made from bamboo, rattan, wood or metal. Historically used as kettles to boil water or infuse medicinal herbs, these days they are primarily used to brew larger quantities of tea – particularly Genmaicha, Hojicha and Bancha – making them ideal for serving several guests.

Dobin Tokoname Jinshu Uwade

Tokoname Yaki 常滑焼

Pottery has been produced in the city of Tokoname, Aichi prefecture, as far back as the 12th century, and since 1976 has been protected as a Traditional Craft of Japan. Tokoname was the site of the largest and oldest of the legendary Rokkoyō (六古窯): the “Six Ancient Kilns” of Japan, and is celebrated for its iron-rich Shudei (朱泥) "red clay" that turns a bright red after firing. When fired a second time in a reduction oven, the red Shudei turns black – another characteristic colour of Tokoname-yaki. High-fired at temperatures of around 1100°C and left unglazed (Yakishime, 焼き締め), this allows tannins in the tea to interact with the iron in the clay body, which is said to reduce astringency and highlight the sweetness of green teas. Another key feature of these Kyusu are the perfectly fitting lids, which are ground into the clay body after firing in a technique known as Suriawase.

Suitable for

Recommended for the following Japanese green teas:

All alkaline and balanced green teas from the second and subsequent harvests.
Varieties: bancha, genmaicha, hojicha, sannenbancha

High-quality, internally unglazed, oxidation fired earthenware (light brown, slightly reddish and yellowish to grey) helps green tea to have a softer and more balanced body, resulting in a milder and more harmonious flavour. Strongly roasted teas, such as hojicha or sannenbancha, also benefit from these types of kyusus.

For long-term use, it is advisable to stick to similar tea types, such as those recommended above. Kyusus made of natural clay develop a patina in interaction with each tea, improving and intensifying their flavour over time. For this reason, too, avoid the use of tap or bottled water with a high lime content. Soft water (similar to natural mountain spring water), will not harm the patina.

Application

To properly care for high-quality Japanese ceramics, always use soft water throughout preparation and cleaning.

A kyusu should be warmed with water before usage so that the clay reacts better with the tea leaves. Only then should the tea needles be added with a wooden spoon. Depending on taste, variety and quality, 1-3 heaped teaspoons per person are recommended. Connoisseurs usually make the tea much stronger than beginners, who are less used to the intense taste and bitter compounds.

Pour the water carefully and slowly over the leaves, ideally from a yuzamashi (a vessel used for cooling the water after boiling) of the same or similar clay and fire. For best results, fill the water only to the top third of the strainer. Please close the lid while brewing the tea.

To pour, hold the kyusu with one hand, with your thumb on the knob. Make sure that the small opening on the lid is level with the spout. Then pour the tea slowly into the cup, drinking immediately. If several cups are being filled, they should be poured one after the other in small amounts to achieve an even result for all cups. At the end, gently but firmly point the kyusu downwards repeatedly with both hands to extract the last, particularly rich drops from the tea.

After the last infusion, remove the tea from the kyusu and rinse it with water. Do not scrape or otherwise clean the inside. Afterwards, rinse the inside and outside of the pot with soft water to prevent any detrimental limescale deposits. Briefly wipe the outside with a clean cloth. Then leave the kyusu open to dry completely and store it closed for the next infusion.

Entretien

Cleaning the exterior:

Clean only with water and a soft cloth. If dirty, wipe with infused green tea.

Cleaning the interior:

Only rinse with clean water containing as little lime as possible. During use, the kyusu accumulates a valuable patina on the inside which should not be removed.

If using tap water to rinse the kyusu, rinse it afterwards with low-lime, soft water inside and out to prevent any detrimental limescale deposits. Then wipe the outside with a clean, soft cloth.

For long-term use, it is advisable to stick to similar tea types, such as those recommended above. Kyusus made of natural clay develop a patina in interaction with each tea, improving and intensifying their flavour over time. For this reason, too, avoid the use of tap or bottled water with a high lime content. Soft water (similar to natural mountain spring water), will not harm the patina.

Product Details

Type Dobin
Type de poterie Tokoname Yaki (常滑焼)
Studio Maître Jinshu (甚秋)
Origine Tokoname (Rég.), Aichi (Préf.), Japon
Capacité volumétrique,
selon le fabricant
480 ml
Volume de remplissage recommandé Jusqu'au dernier tiers du filtre intégré. Une quantité d'eau supérieure peut entraîner une fuite d'eau, même en cas d'ajustement parfait du couvercle.
Dimensions 10,8 x 9 cm
(diamètre sans la poignée x hauteur sans le pommeau)
Poids environ 471 g
Filtre Filtre en céramique, maillé à la main
Fabrication Le couvercle a été conçu de manière à correspondre parfaitement au corps de la théière (technique Suriawase, すり合わせ), une spécificité caractéristique de Tokoname
Emballage Carton
Variétés de thé Recommandée pour le Bancha, le Genmaicha, le Hojicha

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