Do not put in dishwasher. Wash gently by hand with warm water and a soft cloth or sponge.
Vase
Ryumonji Dakatsu
Ryumonji-yaki
SKU
0520
Handcrafted at the historic Ryumonji kiln, this striking vase is covered in their signature Shiro Dakatsu "white snake" glaze, which forms a dramatic, scaly texture, reminiscent of snakeskin. The heavy and robust cylindrical design makes it suitable for displaying large bouquets and flower arrangements.
| Item | Vase |
|---|---|
| Studio | Ryumonji |
| Origin | Kagoshima, Japan |
| Style | Satsuma-yaki |
| Volume | 1800 ml |
| Dimensions | Ø11.5 x H27 cm |
| Material | Dark volcanic clay, ash glaze |
| Glaze | Shiro Dakatsu (白蛇蝎 "white snake") |
| Artist's mark | Signature to base |
| Packaging | Wooden box |
Each piece is handcrafted and unique, therefore colour, volume and dimensions may vary slightly
In stock
Ryumonji-yaki 龍門司焼
Established in 1688 by Korean potters in Kagoshima, Japan, the Ryumonji kiln today has operated as a pottery union since 1948. The kiln is currently led by certified Master Craftsman, Shiro Kawahara, working alongside his son Ryohei and other relatives.
One of three remaining schools of Satsuma-yaki, Ryumonji-yaki specialises in functional, robust Black Satsuma wares, made from local, dark volcanic clay. These pieces are then finished with their signature glazes, including Dakatsu ("snake"), Samehada ("shark skin"), and Sansai ("three colours") – the latter of which is officially recognised as an Intangible Cultural Property of Kagoshima Prefecture. All glazes are made using raw materials, such as stones, pumice, mud and rice husks, sourced within a 3km radius of the kiln.
Satsuma-yaki 薩摩焼
Made in present-day Kagoshima prefecture in southwestern Japan, Satsuma wares date back to the late 16th century when skilled Korean potters were forcibly brought over following the Imjin War. Using their expertise, a multifaceted ceramic tradition soon emerged in the region, encompassing a variety of styles and kilns. These wares can be broadly categorized into delicate, white Shiromon and durable, black Kuromon. White Satsuma wares were historically exclusively made for the ruling class and often elaborately decorated with gold – which captivated European audiences at the 1867 Paris World Exposition. By contrast, Black Satsuma wares were, and continue to be, used to make practical, everyday tableware.
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